New

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First section

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Myriam Van Imschoot: Today is 25 - no 26 January, speaking to Lisa Nelson in Café Beaubourg.

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Can you (reconstruct) what you were saying about survival (during the conference)?

The concept of survival in the culture.

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Lisa Nelson: I don’t know if I can reconstruct it. I was talking about concert dance and the kind of illusion…

that we stand on a certain illusion that we agree to

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consensus (that) reality culture offers us, and a whole set of behaviours, and ways to compose ourselves to create this illusion of culture.

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What I was speaking about, when I was speaking about

I was trying to articulate this negotiation

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that we are constantly making between our reflexive underlying behaviors, movement patterns

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to collect information from the environment through each of our senses, that we need,

for feeling safe in any environment and part of the information we need to be safe is a way

to disappear into the cultural norm.

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With this simple example of how we have to compose ourselves when having a conversation that I use a lot

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  • to see and to be seen, to appear to be listening at the same time of the actual effort to listen,

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in the sense that if I want to really listen to you it might be distracting to look at you, but

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that’s not that acceptable to not take the choreographic pattern of showing our attention to each other.

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Also, that effort, of course I was making it desperately in this conference situation,

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the effort to get the thoughts in my head to my tongue. Somehow my animal is not constructed

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that way, through speech. I do not express myself easily through speech, so I was offering

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the possibility that if I really was to hold my train of thought in this conference I would do

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This is a landmark

much better to slow down and move my face a lot, so the thoughts get in my body.

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It really straightened things up. I could actually could get to the end of that sentence and repeat it.

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But this would not be easy if I used that technique that made me more integrated in the culture,

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it would be too distractive for the people. So I have to learn how to negotiate that territory,

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so that I dont distract and can go along with the assumptions that the culture offers us

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to make some stability and in making that analogy between looking at concert dance

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what are we proposing, where has the dancing gone, and how every dancer had to negotiate

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that territory between their motivation to dance and the proposals that are conventionally

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related, the proposals observer, audience, stage, that are already existing in our cultures.

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In many ways looking at that consensus as absolutely essential to the survival of

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a population and counter the doctive of the survival of the individual.

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The analogy is the same, we negotiate those things unconsciously all our lives.

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Ernst van Laserfeld, my stepfather, the epistemologist and radical constructivist who

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adamantly seems very purist when he refers to how the brain, the person has to construct some

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sense of meaning and organisation out of all of the sensorial array, and he insists that there is nothing out there.

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In being a physical person, living a very physical life in a physical world, not just the

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world out there, but the world inside the body, the existence of matter, like my body is

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outside my brain, if I want to look at it that way.

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Or it is outside my thought, in the sense of thinking in language.

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To deny that there is matter is very counterproductive to learning how

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to survive in the world.

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He even uses an example, this might be not true, but this is what I understood,

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that we also construct the ground that we walk on, and that it is a cultural consensus

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reality, and that without that consensus we‘d be stumbling all over the place.

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If your foot cannot assume that the ground is there under the next step

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than you would have to find another way to transport ourselves.

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Maybe by way of beams or something. Science fiction beams, we would never walk.

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But to the extent that I see that, that we trust that the ground will stay underneath us

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until we perceive an edge, the beginning of a step in our peripheral vision, that much I go

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along with it, from what our senses give us, we establish some stability in the environment,

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but the idea that the culture establishes a consensus that the ground is there,

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is a bit of a leap for me.

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We establish what chairs are for, you know, and in any other culture we establish our seating,

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what sitting is, but that there is not anything there, I dont know what it serves to think that.

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I cannot quite go that far.

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But in terms of human behavior I can embrace that thinking that I constructed every second through my experience.

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In all of the analogies that come from that in this project in the last two three weeks with

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seven people who really came with open minds into a process that out of the seven only two had an idea

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of what this process might lead to.

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Part of the journey in looking at one’s own patterns of behavior in entering a space and

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looking at a space, and creating those communication tools, is a breakdown of all your

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assumptions about what is there.

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Your own constructed reality, cause it is making a tiny little microcosm of that in the room, how you

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know where you are, establish buts (?) stable in your environment.

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And in actuality what is stable in your environment is within you, which assumptions you can hold onto

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another landmark

and when, and which are constantly challenged and the rug is pulled up from under you.

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Somewhere in the course of starting to understand the idea of tuning and listening, a kind of

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consensus starts to emerge, just for survivals sake and each person navigates that their own way,

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either by testing, pushing the limit, or by kind of a more watchful withdrawal and its such a complex

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process, everybody is reaching into everything they know but also watching themselves and deciding

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to risk their own pattern, basically in response to be interrupted in your pattern, and thats very

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emotional at first, but there is a way in which you can tune into it and experience it,

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or creating a trusting environment that it is not going to be questioned on a psychological level.

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There is a kind of decorum that evolves over, in cycles, a decorum where someone makes a big push at

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the limits and everybody shuffles in how that changes their reality and then becomes more polite.

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A new decorum gets established by conversation, how each person perceived it or survived it.

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Its very fragile, for this consensus that is a decorum, a politeness, keeps on being destroyed.

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It was really a rich opportunity with that many of people - we were seven - and with the languages.

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My language is difficult whether it is in English or not, because I really need to be precise to

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define the territory so that it is not a psychological encounter, but we acknowledge that

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this is also going on in our reports but we have very specific events that we can unravel.

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So it keeps putting the image outside of ourselves and giving some time to process ones emotional responses

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to ones own behavior because thats what becomes very apparent.

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If you have tools that you can use to interrupt the action and also to ask for explanation

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and you have to figure out when to use them, and sometimes you use them very naturally,